Tag: Auckland

New Lifejacket Rules Received Well

So far so good

 

From Auckland Council (seeming this particular issue did cause debate while we still have deaths on the water from those in boats under six metres owing to people not wearing lifejackets)

Aucklanders respond well to lifejacket rules

 

Auckland’s Harbourmaster is hailing the first weekend of the council’s new rules on wearing lifejackets as a success.

Harbourmaster Andrew Hayton says staff from his office visited several boat ramps to inform people about Auckland Council’s new navigation safety bylaw which came into effect for Labour weekend.

“What was pleasing was that most people were aware of the rules and more importantly, were wearing lifejackets.

“The job has just begun so our staff will be out on the water throughout the summer to ensure people are well informed and know the rules and their responsibilities.”

The new bylaw requires everyone on a vessel of six metres or less to wear a lifejacket and that they can only be removed if the skipper determines that it is safe to do so.

The council is also simplifying signs at boat ramps, to help with greater understanding and compliance.

For more information on Auckland Council’s Navigation Safety Bylaw go to aucklandcouncil.govt.nz/harbourmaster

—ends—-

 

Stay safe out on the water. Still too many preventable deaths often from not wearing lifejackets or not being equipped properly. 6 hours in a lifejacket being hot and uncomfortable sure beats being dead a very long time….

 

Public libraries play a central role in providing access to data and ensuring the freedom of digital knowledge.

Libraries Obsolete? 

I rather think not looking increasing patronage in our Auckland libraries. Libraries will evolve as e-book technology continues to rise but the library will still be a community hub where information, literature, and good place to have a read or scan on the Internet can happen very freely. Also Libraries act as Auckland Council repositories for official documents that come out for consultation from time to time.

Rebekka and I still use the library despite being Digital savvy alot.

An extract from the linked blog

Public libraries play a central role in providing access to data and ensuring the freedom of digital knowledge.

Data connectivity is intrinsic to most of our daily lives. The place which exists in almost every community large or small, rural or urban, is the public library. Ben Lee argues that not only do libraries provide free access to data, but they do so in an environment which is trustworthy and neutral, geared to learning. Access to digital technology increasingly overlaps with access to opportunity and it is important to recognise the role public libraries already play (and have always played) in keeping the gate to knowledge open. 

In a recent Financial Times article about e-books and Amazon Prof John Kay casually dismissed public libraries as being doomed alongside printed books.  He observed that readers might miss the “comfortable ambience” of libraries and likened library users to nostalgic steam train enthusiasts, but essentially his view was no harm would come if libraries disappeared.  This blog post is based on my original response to that article.

It is not just library sceptics like Prof Kay who portray public libraries as more about printed knowledge than digital knowledge.  Those campaigning to save libraries from spending cuts often point to the sacrilege of removing book shelves more than the inequality of the information divide and its conjoined twin, the digital divide. Free access to written knowledge as a route to a better life is what galvanised support for the first publicly-maintained libraries; not reading for the sake of reading. In 1852 Manchester opened the UK’s first free lending library and in his address at the grand opening, with Charles Dickens as guest of honour, Sir John Potter, Mayor of Manchester and main benefactor said:

We have been animated solely by the desire to benefit our poorer fellow-creatures. It is the duty of those who are more favoured by fortune than they, to do everything in their power to afford additional means of education and advancement to those classes.

W.R. Credland’s The Manchester Public Free Libraries (1899) a copy of which has been digitized by the Internet Archive project

In other words the purpose of the library was to enable the poor to build better lives.

Source and full article: Public libraries play a central role in providing access to data and ensuring the freedom of digital knowledge..

 

It would be a damn shame for Council to be doing library cutbacks in the 2015-2025 Long Term Plan due to Council financial mismanagement and wrong spending priorities….

 

 

The Price Keeps on Rising

Art Sculpture Price Tag Keeps on Rising

 

I suppose this is a lesson on not giving a Public Authority a “lead” on a public art project as this Herald article from Bernard Orsman shows below:

 

Cost of State House sculpture rocketed to $1.9 million

A leaked drawing of the State House Sculpture by artist Michael Parekowhai.
A leaked drawing of the State House Sculpture by artist Michael Parekowhai. Source: NZ Herald
A leaked drawing of the State House Sculpture by artist Michael Parekowhai.

The cost of the State House sculpture on Auckland’s Queens Wharf blew out to $1.924 million before being scaled back to $1.5 million, papers show.

Documents released under the Official Information Act to the Herald show the original plan was for the project to be finished in the first few months of this year. The completion date was later revised to February 2015 and is now some time beyond that.

Auckland Council announced plans for the sculpture in March last year, to be funded by a $1 million donation from Barfoot & Thompson, marking the company’s 90 years in business.

The documents show the cost of the sculpture – a “scaled version of a Mount Eden state house” by renowned artist Michael Parekowhai – had reached $1.9 million by May 2013.

Images of the sculpture have been shared with councillors but not the public, causing widespread criticism.

In February, Parekowhai told council public art manager Carole Anne Meehan he did not want early concept drawings and photos of a model to be “distributed publicly by anyone attending” a council meeting.

But several images were leaked to the Herald. They show a typical state house with external stairs leading to a platform offering multiple views of the chandelier filling the interior.

They also show a skylight, to allow cruise ship visitors berthing at Queens Wharf to peer inside the brilliantly coloured and intricate glass garden of native birds, flowers and insects inside the house that will glow softly at night.

A council source said if the council wanted to stuff up the sculpture it could not have done a better job.

Today, council chief operating officer Dean Kimpton said there was no fault with the process, but acknowledged it would have been better to have released images earlier.

He said the design had gone through a number of iterations, saying images and construction dates would be made public in mid-December.

“It is what it is. The design process has taken longer … and we have got a great result from Michael [Parekowhai]. I think the public are going to love it. I’m not anticipating a public backlash,” he said.

Asked about ratepayers underwriting up to $500,000 after the cost ballooned above the initial $1 million budget, Mr Kimpton was confident of attracting sponsorship once images, a story to wrap around it and a building deadline were made public.

He confirmed rumours that other suppliers were being considered for the chandelier, including glassworks in the United States and New Zealand, “but it is likely to be constructed in Italy”.

The documents show that Parekowhai was recommended “after careful consideration” as the “only candidate” for the artwork in late November 2012 after a shortlist of 11 potential artists, whose names were redacted, was drawn up.

Said Ms Meehan on November 26, 2012: “This is the right moment for a significant commission for Auckland by him [Parekowhai], as national and international recognition of his work is climbing.” She also recommended moving the sculpture from the cityside of Queens Wharf, a location “sabotaging” its potential, to the water’s edge at the end of the wharf.

The latest breakdown for the $1.5 million project, includes $705,000 for the chandelier, $415,000 for the building, an artist’s fee of $225,000 and $155,000 for a contingency and development costs.

A council document, dated May 15, says the project is a given and will not go out for public consultation in the new 10-year budget.

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Source: http://www.nzherald.co.nz/nz/news/article.cfm?c_id=1&objectid=11347859

 

  • $1.5 million project, includes
    • $705,000 for the chandelier,
    • $415,000 for the building,
    • an artist’s fee of $225,000 and $
    • 155,000 for a contingency and development costs.

The whole thing seems Gold Plated and an absolute disaster in handling since day one! Misinformation and lack of clear concise information from Council is certainly not helping either and this will feed on to other projects whether it be public art or something else.